This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.
English Writer, Author of fantasy trilogy "His Dark Materials"
"A few minutes after he arrived, Lee was talking to a group of astronomers eager to learn what news he could bring them, for there are few natural philosophers as frustrated as astronomers in a fog."
"A murderer was a worthy companion."
"A human being with no daemon was like someone without a face, or with their ribs laid open and their heart torn out; something unnatural and uncanny that belonged to the world of night-ghosts, not the waking world of sense."
"A sense of belonging, a sense of being part of a real and important story, a sense of being connected to other people, to people who are not here anymore, to those who have gone before us. And a sense of being connected to the universe itself. All those things were promised and summed up in the phrase, 'The Kingdom of Heaven'. But if the Kingdom is dead, we still need those things. We can't live without those things because it's too bleak, it's too bare and we don't need to. We can find a way of creating them for ourselves if we think in terms of a Republic of Heaven. This is not a Kingdom but a Republic, in which we are all free and equal citizens, with ? and this is the important thing ? responsibilities. With the responsibility to make this place into a Republic of Heaven for everyone. Not to live in it in a state of perpetual self-indulgence, but to work hard to make this place as good as we possibly can."
"A truth that?s told with bad intent beats all the lies you can invent."
"After modernism, things changed. Indeed, modernism sometimes seems to me like an equivalent of the Fall. Remember, the first thing Adam and Eve did when they ate the fruit was to discover that they had no clothes on. They were embarrassed. Embarrassment was the first consequence of the Fall. And embarrassment was the first literary consequence of this modernist discovery of the surface. Am I telling a story? Oh my God, this is terrible. I must stop telling a story and focus on the minute gradations of consciousness as they filter through somebody's..."
"After nourishment, shelter and companionship, stories are the thing we need most in the world."
"All stories teach, whether the storyteller intends them to or not. They teach the world we create. They teach the morality we live by. They teach it much more effectively than moral precepts and instructions."
"All the history of human life has been a struggle between wisdom and stupidity."
"All these tattered old bits and pieces have a history and a meaning. A group of them together can seem like the traces left by an ionizing particle in a bubble chamber: they draw the line of a path taken by something too mysterious to see. That path is a story, of course. What scientists do when they look at the line of bubbles on the screen is work out the story of the particle that made them: what sort of particle it must have been, and what caused it to move in that way, and how long it was likely to continue. Dr. Mary Malone would have been familiar with that sort of story in the course of her search for dark matter. But it might not have occurred to her, for example, when she sent a postcard to an old friend shortly after arriving in Oxford for the first time, that that card itself would trace part of a story that hadn't yet happened when she wrote it. Perhaps some particles move backward in time; perhaps the future affects the past in some way we don't understand; or perhaps the universe is simply more aware than we are. There are many things we haven't yet learned how to read. The story in this book is partly about that very process."
"All good things pass away."
"All she knew was that she must be in love with someone, or she wouldn't feel so miserable."
"All writing is difficult. The most you can hope for is a day when it goes reasonably easily. Plumbers don?t get plumber?s block, and doctors don?t get doctor?s block; why should writers be the only profession that gives a special name to the difficulty of working, and then expects sympathy for it?"
"All things from the north are devilish."
"And at the word alone, Will felt a great wave of rage and despair moving outwards from a place deep within him, as if his mind were an ocean that some profound convulsion had disturbed. All his life he'd been alone, and now he must be alone again, and this infinitely precious blessing that had come to him must be taken away almost at once. He felt the wave build higher and steeper to darken the sky, he felt the crest tremble and begin to spill, he felt the great mass crashing down with the whole weight of the ocean behind it against the iron-bound coast of what had to be. And he felt himself crying aloud with more anger and pain than he had ever felt in his life, and he found Lyra just as helpless in his arms. But as the wave expended its force and the waters withdrew, the bleak rocks remained; there was no arguing with fate; neither his despair nor Lyra's had moved them a single inch."
"And barely ten minutes later the soft sound of wingbeats came to their ears, and Balthamos stood up eagerly. The next moment, the two angels were embracing, and Will, gazing into the flames, saw their mutual affection. More than affection: they loved each other with a passion."
"And for much of the time, wisdom has had to work in secret, whispering her words, moving like a spy through the humble places in the world while the courts and palaces are occupied by their enemies."
"And I came to believe that good and evil are names for what people do, not for what they are. All we can say is that this is a good deed, because it helps someone or that's an evil one because it hurts them. People are too complicated to have simple labels."
"And Pantalaimon didn't ask why, because he knew; and he didn't ask whether Lyra loved Roger more than him, because he knew the true answer to that, too. And he knew that if he spoke, she wouldn't be able to resist; so the d‘mon held himself quiet so as not to distress the human who was abandoning him, and now they were both pretending that it wouldn't hurt, it wouldn't be long before they were together again, it was all for the best. But Will knew that the little girl was tearing her heart out of her breast."
"and she saw a bed of lamb?s lettuce, or rapunzel."
"And remember this: take the hard road, not the easy one. The road that leads to life is a hard one, and it passes through a narrow gate, but the road to destruction is easy, and the gate is broad. Plenty take the easy road; few take the hard one. Your job is to find the hard one, and go by that."
"And that was how sin came into the world, he said, sin and shame and death. It came the moment their daemons became fixed. But... Lyra struggled to find the words she wanted: but it en't true, is it? Not true like chemistry or engineering, not that kind of true? There wasn't really an Adam and Eve? The Cassington Scholar told me it was just a kind of fairy tale."
"And I'm going to that world beyond the Aurora, he said, because I think that's where all the Dust in this universe comes from. You saw those slides I showed the Scholars in the retiring room. You saw Dust pouring into this world from the Aurora. You've seen that city yourself. If light can cross the barrier between the universes, if Dust can, if we can see that city, then we can build a bridge and cross. It needs a phenomenal burst of energy. But I can do it. Somewhere out there is the origin of all the Dust, all the death, the sin, the misery, the destructiveness in the world. Human beings can't see anything without wanting to destroy it, Lyra. That's original sin. And I'm going to destroy it. Death is going to die."
"And then my uncle killed him anyway just to teach him a lesson."
"And think what worrying does: has anyone ever added a single hour to the length of his life by worrying about it?"
"And then Serafina understood something for which the witches had no word: it was the idea of pilgrimage. She understood why these beings would wait for thousands of years and travel vast distances in order to be close to something important, and how they would feel differently for the rest of time, having been briefly in its presence. That was how these creatures looked now, these beautiful pilgrims of rarefied light, standing around the girl with the dirty-face and the tartan skirt and the boy with the wounded hand who was frowning in his sleep."
"And Will knew what it was to see his d‘mon. As she flew down to the sand, he felt his heart tighten and release in a way he never forgot. Sixty years and more would go by, and as an old man he would still feel some sensations as bright and fresh as ever: Lyra's fingers putting the fruit between his lips under the gold-and-silver trees; her warm mouth pressing against his; his d‘mon being torn from his unsuspecting breast as they entered the world of the dead; and the sweet rightfulness of her coming back to him at the edge of the moonlight dunes."
"And then what?" said her D‘mon sleepily "build what?" "The Republic of Heaven.""
"And ye shall know the truth, and the truth shall make you free."
"Are not you afraid when you know that your death is somewhere nearby? - He asked Lyra. Why should we fear? Once here, at least able to keep an eye on."
"Argue with anyone else, but don't argue with your own nature."
"As a Christian, she had felt belonging. After its exit from the church she had been infinitely free, but also non-stop in a universe without purpose."
"As Auden is believed to have said, no poem saved a single Jew from the gas chambers. Never mind. Write the poems anyway. Play the music in spite of that."
"As I understand it, the Holy Church teaches that there are two worlds: the world of everything we can see and hear and touch, and another world, the spiritual world of heaven and hell. Barnard and Stokes were two ? how shall I put it ? renegade theologians who postulated the existence of numerous other worlds like this one, neither heaven nor hell, but material and sinful. They are there, close by, but invisible and unreachable."
"As for what it's against - the story is against those who pervert and misuse religion, or any other kind of doctrine with a holy book and a priesthood and an apparatus of power that wields unchallengeable authority, in order to dominate and suppress human freedoms."
"At Gabriel College there was a very holy object on the high altar of the Oratory, covered with a black velvet cloth... At the height of the invocation the Intercessor lifted the cloth to reveal in the dimness a glass dome inside which there was something too distant to see, until he pulled a string attached to a shutter above, letting a ray of sunlight through to strike the dome exactly. Then it became clear: a little thing like a weathervane, with four sails black on one side and white on the other, began to whirl around as the light struck it. It illustrated a moral lesson, the Intercessor explained, for the black of ignorance fled from the light, whereas the wisdom of white rushed to embrace it."
"Being a practiced liar doesn?t mean you have a powerful imagination. Many good liars have no imagination at all; it?s that which gives their lies such wide-eyed conviction."
"Being in love was like China: you knew it was there, and no doubt it was very interesting, and some people went there, but I never would. I'd spend all my life without ever going to China, but it wouldn't matter, because there was all the rest of the world to visit."
"Besides, if you want to write something perfect, write a haiku. Anything longer is bound to have a few passages that don't work as well as they might."
"Behind her the sun was still shining, so that every grove and every single tree between her and the storm blazed ardent and vivid, little frail things defying the dark with leaf and twig and fruit and flower."
"Asriel was a tall man with powerful shoulders, a fierce dark face, and eyes that seemed to flash and glitter with savage laughter. It was a face to be dominated by, or to fight: never a face to patronize or pity. All his movements were large and perfectly balanced, like those of a wild animal, and when he appeared in a room like this, he seemed a wild animal held in a cage too small for it."
"Because where we are is always the most important place."
"Blake said Milton was a true poet and of the Devil's party without knowing it. I am of the Devil's party and know it."
"Bloody rubbish, said the blind man. Hiram went as far as the temple gate, then he lay down and went on begging. Old Sarah told me. He said what was the use of taking his living away? Begging was the only thing he knew how to do. You and your blither about goodness, he said, turning to Christ, where's the goodness in throwing an old man out into the street without a trade, without a home, without a penny? Eh? That Jesus is asking too much of people."
"Both the Oblation Board and the Specters of Indifference are bewitched by this truth about human beings: that innocence is different from experience. The Oblation Board fears and hates Dust, and the Specters feast on it, but it's Dust both of them are obsessed by."
"But he did heal someone, said the lame man. Old Hiram. You remember that. He told him to take up his bed and walk."
"But he might have had a bang on the head! said Joan. Poor little boy, he thinks he was a rat!"
"But as the wave expended its force and the waters withdrew, the bleak rocks remained; there was no arguing with fate; neither his despair nor Lyra?s had moved them a single inch."
"But Balthamos couldn't tell; he only knew that half his heart had been extinguished. He couldn't keep still: he flew up again, scouring the sky as if to seek out Baruch in this cloud or that, calling, crying, calling; and then he'd be overcome with guilt, and fly down to urge Will to hide and keep quiet, and promise to watch over him tirelessly; and then the pressure of his grief would crush him to the ground, and he'd remember every instance of kindness and courage that Baruch had ever shown, and there were thousands, and he'd forgotten none of them; and he'd cry that a nature so gracious could ever be snuffed out, and he'd soar into the skies again, casting about in every direction, reckless and wild and stricken, cursing the air, the clouds, the stars."
"But he was good, said the lame man. I don't care what you say. You could feel it, you could see it in his eyes."