Great Throughts Treasury

This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.

Saul Bellow

Canadian-born American Novelist, Playwright, Winner of the Pulitzer Prize for Literature and National Medal of Arts

"I had yet to find out how little people want you to succeed in an extraordinary project, and what comfort some have that the negligible is upheld and all other greater efforts falls on its face."

"I have a feeling, I said, about the axial lines of life, with respect to which you must be straight or else your existence is merely clownery, hiding tragedy. I must have had a feeling since I was a kid about these axial lines which made me want to have my existence on them, and so I have said ?no? like a stubborn fellow to all my persuaders, just on the obstinacy of my memory of these lines, never entirely clear. But lately I have felt these thrilling lines again. When striving stops, there they are as a gift. I was lying on the couch here before and they suddenly went quivering right straight through me. Truth, love, peace, bounty, usefulness, harmony! And all noise and grates, distortion, chatter, distraction, effort, superfluity, passed off like something unreal. And I believe that any man at any time can come back to these axial lines, even if an unfortunate bastard, if he will be quiet and wait it out. The ambition of something special and outstanding I have always had is only a boast that distorts this knowledge from its origin, which is the oldest knowledge, older than the Euphrates, older than the Ganges. At any time life can come together again and man be regenerated, and doesn?t have to be a god or public servant like Osiris who gets torn apart annually for the sake of the common prosperity, but the man himself, finite and taped as he is, can still come where the axial lines are. He will be brought into focus. He will live with true joy. Even his pains will be joy if they are true, even his helplessness will not take away his power, even wandering will not take him away from himself, even the big social jokes and hoaxes need not make him ridiculous, even disappointment after disappointment need not take away his love. Death will not be terrible to him if life is not. The embrace of other true people will take away his dread of fast change and short life. And this is not imaginary stuff, Clem, because I bring my entire life to the test."

"I have begun in old age to understand just how oddly we all are put together. We are so proud of our autonomy that we seldom if ever realize how generous we are to ourselves, and just how stingy with others. One of the booby traps of freedom--which is bordered on all sides by isolation--is that we think so well of ourselves. I now see that I have helped myself to the best cuts at life's banquet."

"I have, perhaps, a slave-like constitution which is too easily restrained by bonds; it then becomes rebellious and bursts out in a comic revolution."

"I headed downtown right away. It was still early in the evening, glittering with electric, with ice; and trembling in the factories, those nearly all windows, over the prairies that had returned over demolitions with winter grass pricking the snow and thrashed and frozen together into beards by the wind. The cold simmer of the lake also, blue; the steady skating of rails too, down to the dark."

"I intend to use it. I didn't like the implication of this. Why should he need his time free and I be questioned?"

"I kept asking, ?Would she marry me?? She said, ?You want all your troubles to be over all of a sudden and you?re so anxious for it you may be making a mistake.?"

"I knew by this time what Thea thought of these people and in fact of most people, with their faulty humanity. She couldn't stand them. And what her eccentricity amounted to was that she proposed a different kind of humanity altogether. I guess nothing restrains people from demanding ideal conditions. Very little restrains them from anything. Thea's standard was high, but she wasn't exactly to blame as having arbitrarily set it high. For when she talked to me about some particular person she'd be more frightened than scornful. People with whom she had to struggle scared her, and what I'd call average hypocrisy, just the incidental little whiffs of the social machine, was terribly hard on her. As for greediness or envy, fat self-smelling of appreciation, hates and destructions, fraud, gnawing, she had a very poor tolerance of them, and I'd see her go out in the eyes in a really dangerous way at a gathering."

"I labor, I spend, I strive, I design, I love, I cling, I uphold, I give way, I envy, I long, I scorn, I die, I hide, I want. Faster, much faster than any man could make the tally."

"I like the way you arrange your life. What do you intend to do with this free time?"

"I love solitude but I prize it most when company is available."

"I may well be a flop at this line of endeavor. Columbus too thought he was a flop, probably, when they sent him back in chains. Which didn't prove there was no America."

"I mean you have been disappointed in love, but don't you know how many things there are to be disappointed in besides love? You are lucky to be still disappointed in love. Later it may be even more terrible."

"I must be a little crazy. She said it in a husky and quiet tone. I must be, I have to admit. But I thought if I could get through to one other person I could get through to more. So people wouldn?t tire me, and so I wouldn?t be afraid of them. Because my feeling can?t be people?s fault, so much. They don?t make it. Well, I believed it must be you who could do this for me. And you could. I was so happy to find you. I thought you knew all about what you could do and you were so lucky and so special. That?s why it?s not just jealousy. I didn?t want you to come back. I?m sorry you?re here now. You?re not special. You?re like everybody else. You get tired easily. I don?t want to see you anymore."

"I never yet touched a fig leaf that didn't turn into a price tag."

"I once was married, said Padilla when the subject came to that. In Chihuahua when I was fifteen. I had a kid before I was a man myself. I didn?t approve of his boasting that he had left a wife and kid behind in Mexico, but then the tall girl said she had a child too, and maybe the other did also and just didn?t say, and so I let the subject pass, since if so many do the same wrong there maybe is something to it that?s not right away apparent."

"I pretended not to understand. One of life's hardest jobs, to make a quick understanding slow. I think I succeeded, thought Herzog."

"I quit thinking long ago that all old people came to rest from the things they were out for in their younger years."

"I read about King Arthur?s Round Table when I was a kid, but what am I ever going to do about it? My heart was touched by sacrifice and pure attempts, so what should I do? Or take the Gospels. How are you supposed to put them to use? Why, they?re not utilizable! And then you go and pile on top of that more advice and information. Anything that just adds information that you can?t use is plain dangerous. Anyway, there?s too much of everything of this kind, that?s come home to me, too much history and culture to keep track of, too many details, too much news, too much example, too much influence, too many guys who tell you to be as they are, and all this hugeness, abundance, turbulence, Niagara Falls torrent. Which who is supposed to interpret? Me? I haven?t got that much head to master it all. I get carried away. It doesn?t give my feelings enough of a chance if I have to store up and become like an encyclopedia. Why, just as a question of time spent in getting prepared for life, look! a man could spend forty, fifty, sixty years like that inside the walls of his own being. And all great experience would only take place within the walls of his being. And all high conversation would take place within those walls. And all achievement would stay within those walls. And all glamour too. And even hate, monstrousness, enviousness, murder, would be inside them. This would be only a terrible, hideous dream about existing. It?s better to dig ditches and hit other guys with your shovel than die in the walls."

"I really should simplify my existence. How much trouble is a person required to have? I mean, is it an assignment I have to carry out? It can?t be, because the only good I ever knew of was done by people when they were happy. But to tell you the truth, Kayo, since you are the kind of guy who will understand it, my pride has always been hurt by my not being able to give an account of myself and always being manipulated. Reality comes from giving an account of yourself, and that?s the worst of being helpless. Oh, I don?t mean like the swimmer on the sea or the child on the grass, which is the innocent being in the great hand of Creation, but you can?t lie down so innocent on objects made by man, I said to him. In the world of nature you can trust, but in the world of artifacts you must beware. There you must know, and you can?t keep so many things on your mind and be happy. ?Look on my works ye mighty and despair!? Well, never mind about Ozymandias now being just trunkless legs; in his day the humble had to live in his shadow, and so do we live under shadow, with acts of faith in functioning of inventions, as up in the stratosphere, down in the subway, crossing bridges, going through tunnels, rising and falling in elevators where our safety is given in keeping. Things done by man which overshadow us. And this is true also of meat on the table, heat in the pipes, print on the paper, sounds in the air, so that all matters are alike, of the same weight, of the same rank, the caldron of God?s wrath on page one and Wieboldt?s sale on page two. It is all external and the same. Well, then what makes your existence necessary, as it should be? These technical achievements which try to make you exist in their way? Kayo said, not much surprised by this, What you are talking about is moha?a Navajo word, and also Sanskrit, meaning opposition of the finite. It is the Bronx cheer of the conditioning forces. Love is the only answer to moha, being infinite. I mean all the forms of love, eros, agape, libido, philia, and ecstasy. They are always the same but sometimes one quality dominates and sometimes another."

"I see a great many things now that I couldn't see when I was a young person. And I don't like everything that I see. For instance, I see people spending about fifty hours a week in front of the tv, which means that they have no more family life, they belong to the crowd, so to speak, they belong to the media, and they have no individual perspective, they derive their observations, they get them ready made from somebody who packages them. I don't think that's a very good thing for anybody."

"I see that I've become a really bad correspondent. It's not that I don't think of you. You come into my thoughts often. But when you do it appears to me that I owe you a particularly grand letter. And so you end in the warehouse of good intentions: Can't do it now. Then put it on hold. This is one's strategy for coping with old age, and with death--because one can't die with so many obligations in storage. Our clever species, so fertile and resourceful in denying its weaknesses."

"I should have written you a letter, it was too late to make the deaths of my brothers an excuse. Since they died, I wrote a book; why not a letter? A mysterious but truthful answer is that while I can gear myself up to do a novel, letters, real-life communications, are too much for me. I used to rattle them off easily enough; why is the challenge of writing to friends and acquaintances too much for me now? Because I have become such a solitary, and not in the Aristotelian sense: not a beast, not a god. Rather, a loner troubled by longings, incapable of finding a suitable language and despairing at the impossibility of composing messages in a playable key--as if I no longer understood the codes used by the estimable people who wanted to hear from me and would have so much to reply if only the impediments were taken away."

"I still had the craving that I had given in to all summer long when I had lived on books, to have the reach to grasp both ends of the frame and turn the big image-taking glass to any scene of the world."

"I suppose that all of us have a primitive prompter or commentator within, who from earliest years has been advising us, telling us what the real world is. There is such a commentator in me. I have to prepare the ground for him. From this source come words, phrases, syllables; sometimes only sounds, which I try to interpret, sometimes whole paragraphs, fully punctuated."

"I suppose, he was thinking, that we heard this tale of the Herzogs ten times a year. Sometimes Mama told it, sometimes he. So we had a great schooling in grief. I still know these cries of the soul. They lie in the breast, and in the throat. The mouth wants to open wide and let them out. But all these are antiquities -- yes, Jewish antiquities originating in the Bible, in a Biblical sense of personal experience and destiny. What happened during the War abolished Father Herzog's claim to exceptional suffering. We are on a more brutal standard now, a new terminal standard, indifferent to persons. Part of the program of human destruction into which the human spirit has poured itself with energy, even with joy. These personal histories, old tales from old times that may not be worth remembering. I remember. I must. But who else -- to whom can this matter? So many millions -- multitudes -- go down in terrible pain. And, at that, moral suffering is denied, these days. Personalities are good only for comic relief. But I am still a slave to Papa's pain. The way Father Herzog spoke of himself! That could make one laugh. His I had such dignity."

"I think both optimism and pessimism are very boring outlooks. I like to know what's going on, and I like to tell myself that I can handle the worst, should my observations prove to be negative or unfavorable."

"I think that New York is not the cultural center of America, but the business and administrative center of American culture."

"I think that when I wrote those early books I was timid. I still felt the incredible effrontery of announcing myself to the world (in part I mean the WASP world) as a writer and an artist. I had to touch a great many bases, demonstrate my abilities, pay my respects to formal requirements. In short, I was afraid to let myself go."

"I thought if I knew more my problem would be simplified, and maybe I should complete my formal education. But since I?ve been working for Robey I have reached the conclusion that I couldn?t utilize even ten percent of what I already knew. I?ll give you an example. I read about King Arthur?s Round Table when I was a kid, but what am I ever going to do about it? My heart was touched by sacrifice and pure attempts, so what should I do? Or take the Gospels. How are you supposed to put them to use? Why, they?re not utilizable! And then you go and pile on top of that more advice and information. Anything that just adds information that you can?t use is plain dangerous. Anyway, there?s too much of everything of this kind, that?s come home to me, too much history and culture to keep track of, too many details, too much news, too much example, too much influence, too many guys who tell you to be as they are, and all this hugeness, abundance, turbulence, Niagara Falls torrent. Which who is supposed to interpret? Me? I haven?t got that much head to master it all. I get carried away. It doesn?t give my feelings enough of a chance if I have to store up and become like an encyclopedia. Why, just as a question of time spent in getting prepared for life, look! a man could spend forty, fifty, sixty years like that inside the walls of his own being. And all great experience would only take place within the walls of his being. And all high conversation would take place within those walls. And all achievement would stay within those walls. And all glamour too. And even hate, monstrousness, enviousness, murder, would be inside them. This would be only a terrible, hideous dream about existing. It?s better to dig ditches and hit other guys with your shovel than die in the walls."

"I thought to do something good by giving an interview to People, which was exceedingly foolish of me. I asked Aaron [Asher] to tell you that the Good Intentions Paving Company had fucked up again. The young interviewer turned my opinions inside out, cut out the praises and made it all sound like disavowal, denunciation and excommunication. Well, we're both used to this kind of thing, and beyond shock. In agreeing to take the call, and make a statement I was simply muddle-headed. But if I had been interviewed by an angel for the Seraphim and Cherubim Weekly I'd have said, as I actually did say to the crooked little slut, that you were one of our very best and most interesting writers. I would have added that I was greatly stimulated and entertained by your last novel, and that of course after three decades I understood perfectly well what you were saying about the writer's trade - how could I not understand, or miss suffering the same pains. Still our diagrams are different, and the briefest description of the differences would be that you seem to have accepted the Freudian explanation: A writer is motivated by his desire for fame, money and sexual opportunities. Whereas I have never taken this trinity of motives seriously. But this is an explanatory note and I don't intend to make a rabbinic occasion of it. Please accept my regrets and apologies, also my best wishes. I'm afraid there's nothing we can do about the journalists; we can only hope that they will die off as the deerflies do towards the end of August."

"I venture to say Kierkegaard meant that truth has lost its force with us and horrible pain and evil must teach it to us again, the eternal punishments of Hell will have to regain their reality before mankind turns serious once more. I do not see this. Let us set aside the fact that such convictions in the mouths of safe, comfortable people playing at crisis, alienation, apocalypse and desperation, make me sick. We must get it out of our heads that this is a doomed time, that we are waiting for the end, and th rest of it, mere junk from fashionable magazines. Things are grim enough without these shivery games. People frightening one another--a poor sort of moral exercise. But, to get to the main point, the advocacy and praise of suffering take us in the wrong direction and those of us who remain loyal to civilization must not go for it. You have to have the power to employ pain, to repent, to be illuminated, you must have the opportunity and even the time."

"I want to tell you, don't marry suffering. Some people do. They get married to it, and sleep and eat together, just as husband and wife. If they go with joy they think its adultery."

"I want! I want! I want!"

"I WAS NO CHILD NOW, neither in age nor in protectedness, and I was thrown for fair on the free spinning of the world. If you think, and some do, that continual intimacy, familiarity, and love can result in falsehood, this being thrown on the world may be a very desirable even if sad thing. What Christ meant when he called his mother Woman. That after all she was like any woman. That in any true life you must go and be exposed outside the small circle that encompasses two or three heads in the same history of love. Try and stay, though, inside. See how long you can."

"I wish my dead days would quit bothering me and leave me alone. The bad stuff keeps coming back, and it's the worst rhythm there is. The repetition of a man's bad self, that's the worst suffering that's ever been known."

"I would never make a lion, I knew that; but I might pick up a small gain here and there in the attempt."

"If I am out of my mind, it's all right with me, thought Moses Herzog."

"If I want to do the same old thing, it?s easy. If I want to do something altogether new, it becomes harder. I could go on writing the stories I?ve been writing during the last few years. They have a certain charm and they?re true as far as they go. They're just not enough."

"If love is love, it's free."

"If only we didn't have hearts we wouldn't know how sad it was. But we carry around these hearts ... which give us away."

"IF THE GREAT ANDROMEDA GALAXY had to depend on you to hold it up, where would it be now but fallen way to hell?"

"If this was so, I was sunk, for by now I was more in love than I could stand, as if some mineral had got into my veins and arteries and I ached, flesh and bones, the way you will on the verge of the grippe."

"If women are expected to do the same work as men, we must teach them the same things."

"If you could have confidence in nature you would not have to fear. It would keep you up. Creative is nature. Rapid. Lavish. Inspirational. It shapes leaves. It rolls the waters of the earth. Man is the chief of this. All creations are his just inheritance. You don't know what you've got within you. A person either creates or he destroys. There is no neutrality."

"I'm glad I haven't lived in vain."

"Imagination is a force of nature. Is this not enough to make a person full of ecstasy? Imagination, imagination, imagination. It converts to actual. It sustains, it alters, it redeems!"

"In an age of enormities, the emotions are naturally weakened. We are continually called upon to have feelings ? about genocide, for instance, or about famine or the blowing up of passenger planes ? and we are all aware that we are incapable of reacting appropriately. A guilty consciousness of emotional inadequacy or impotence makes people doubt their own human weight."

"In an age of madness, to expect to be untouched by madness is a form of madness. But the pursuit of sanity can be a form of madness, too"

"In expressing love we belong among the undeveloped countries."