This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.
Raymond Chandler, fully Raymond Thornton Chandler
You were dead, you were sleeping the big sleep, you were not bothered by things like that, oil and water were the same as wind and air to you. You just slept the big sleep, not caring about the nastiness of how you died or where you fell. Me, I was part of the nastiness now.
Ray Bradbury, fully Ray Douglas Bradbury
Oh, ancient god, whatever your name, whispered Ahmed. Help this lost son of a good father, this evil boy who meant no harm but slept in school, ran errands slowly, did not pray from his heart, ignored his mother, and did not hold his family in great esteem. For all this I know I must suffer. But here in the midst of silence, at the desert's heart, where even the wind knows not my name? Must I die so young? Am I to be forgotten without having been?
Raymond Chandler, fully Raymond Thornton Chandler
There was a desert wind blowing that night. It was one of those hot dry Santa Anas that come down through the mountain passes and curl your hair and make your nerves jump and your skin itch. On nights like that every booze party ends in a fight. Meek little wives feel the edge of the carving knife and study their husbands' necks. Anything can happen. You can even get a full glass of beer at a cocktail lounge.
Raymond Chandler, fully Raymond Thornton Chandler
What did it matter where you lay once you were dead? In a dirty sump or in a marble tower on top of a high hill? You were dead, you were sleeping the big sleep, you were not bothered by things like that. Oil and water were the same as wind and air to you.
Dirty |
Politicians wet their fingers and see which way the wind is blowing at the time. You don
Richard Jefferies, fully John Richard Jefferies
Let us always be out of doors among trees and grass, and rain and wind and sun. There the breeze comes and strikes the cheek and sets it aglow: the gale increases and the trees creak and roar, but it is only a ruder music. A calm follows, the sun shines in the sky, and it is the time to sit under an oak, leaning against the bark, while the birds sing and the air is soft and sweet.
Time |
Richard Jefferies, fully John Richard Jefferies
I cannot leave it; I must stay under the old tree in the midst of the long grass, the luxury of the leaves, and the song in the very air. I seem as if I could feel all the glowing life the sunshine gives and the south wind calls to being. The endless grass, the endless leaves, the immense strength of the oak expanding, the unalloyed joy of finch and blackbird; from them all I receive a little. Each gives me something of the pure joy they gather for themselves... The exceeding beauty of the earth, in her splendor of life, yields a new thought with every petal. The hours when the mind is absorbed by beauty are the only hours when we really live... These are the only hours that are not wasted -- these hours that absorb the soul and fill it with beauty. This is real life, and all else is illusion, or mere endurance. Does this reverie of flowers and waterfall and song form an ideal, a human ideal, in the mind? It does; much the same ideal that Phidias sculptured of man and woman filled with a godlike sense of the violet fields of Greece, beautiful beyond thought, calm as my turtle-dove before the lurid lightning of the unknown. To be beautiful and to be calm, without mental fear, is the ideal of nature. If I cannot achieve it, at least I can think it.
Beauty | Joy | Life | Life | Luxury | Man | Mind | Receive | Sense | Soul | Strength | Thought | Woman | Beauty | Old | Think | Thought |
Richard Feynman, fully Richard Phillips Feynman
A poet once said 'The whole universe is in a glass of wine.' We will probably never know in what sense he meant that, for poets do not write to be understood. But it is true that if we look at a glass closely enough we see the entire universe. There are the things of physics: the twisting liquid which evaporates depending on the wind and weather, the reflections in the glass, and our imaginations adds the atoms. The glass is a distillation of the Earth's rocks, and in its composition we see the secret of the universe's age, and the evolution of the stars. What strange array of chemicals are there in the wine? How did they come to be? There are the ferments, the enzymes, the substrates, and the products. There in wine is found the great generalizations: all life is fermentation. Nobody can discover the chemistry of wine without discovering, as did Louis Pasteur, the cause of much disease. How vivid is the claret, pressing its existence into the consciousness that watches it! If our small minds, for some convenience, divide this glass of wine, this universe, into parts
Cause | Consciousness | Enough | Evolution | Existence | Life | Life | Sense | Universe | Will |
Richard E. Byrd, fully Richard Evelyn Byrd, Jr.
I paused to listen to the silence. My breath, crystallized as it passed my cheeks, drifted on a breeze gentler than a whisper. The wind vane pointed toward the South Pole. Presently the wind cups ceased their gentle turning as the cold killed the breeze. My frozen breath hung like a cloud overhead. The day was dying, the night was being born-but with great peace. Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! That was what came out of the silence-a gentle rhythm, the strain of a perfect chord, the music of the spheres, perhaps. It was enough to catch that rhythm, momentarily to be myself a part of it. In that instant I could feel no doubt of man's oneness with the universe. The conviction came that that rhythm was too orderly, too harmonious, too perfect to be a product of blind chance-that, therefore, there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of a man's despair and found it groundless. . . . For those who seek it, there is inexhaustible evidence of an all-pervading intelligence. Man is not alone.
Day | Despair | Doubt | Enough | Evidence | Heart | Man | Music | Oneness | Purpose | Purpose |
Again he struck the harp and began the jig. But this time it was such music as never came from a harp. It was the wildest, strangest music you ever heard, full of the sound of birds and the cries of animals and the wind and the rain, and the thunder and the lightning, and the dashing of huge waves against the shores of a great cold ocean that was formed from ice that had made its way slowly down from Ultima Thule. It was the sound of a world before mankind. It was the sound of the great merriment God must have known during the long days of Creation.
What? Was man made a wheel-work to wind up, And be discharged, and straight wound up anew? No! grown, his growth lasts; taught, he ne'er forgets; May learn a thousand things, not twice the same.
There is always another country and always another place. There is always another name and another face. And the name and the face are you, and you The name and the face, and the stream you gaze into Will show the adoring face, show the lips that lift to you As you lean with the implacable thirst of self, As you lean to the image which is yourself, To set the lip to lip, fix eye on bulging eye, To drink not of the stream but of your deep identity, But water is water and it flows, Under the image on the water the water coils and goes And its own beginning and its end only the water knows. There are many countries and the rivers in them -Cumberland, Tennessee, Ohio, Colorado, Pecos, Little Big Horn, And Roll, Missouri, roll. But there is only water in them. And in the new country and in the new, place The eyes of the new friend will reflect the new face And his mouth will speak to frame The syllables of the new name And the name is you and is the agitation of the air And is the wind and the wind runs and the wind is everywhere. The name and the face are you. And they are you. Are new. For they have been dipped in the healing flood. For they have been dipped in the redeeming blood. For they have been dipped in Time And Time is only beginnings Time is only and always beginnings And is the redemption of our crime And is our Saviour's priceless blood. For Time is always the new place, And no-place. For Time is always the new name and the new face, And no-name and no-face. For Time is motion For Time is innocence For Time is West.
Agitation | Beginning | Friend | Little | Redemption | Time | Will |
Roland B. Gittelsohn, fully Roland Bertram Gittelsohn
A Litany of Remembrance - In the rising of the sun and in its going down, We remember them. In the blowing of the wind and in the chill of winter, We remember them. In the opening of buds and in the rebirth of spring, We remember them. In the blueness of the sky and in the warmth of summer, We remember them. In the rustling of leaves and in the beauty of autumn, We remember them. In the beginning of the year and when it ends, We remember them. When we are weary and in need of strength, We remember them. When we are lost and sick at heart, We remember them. When we have joys we yearn to share, We remember them. So long as we live, they too will live, For they are a part of all who have known them. We remember them.
The rain to the wind said, You push and I'll pelt.' They so smote the garden bed That the flowers actually knelt, And lay lodged--though not dead. I know how the flowers felt.
Stopping By Woods on a Snowy Evening - Whose woods these are I think I know. His house is in the village though; He will not see me stopping here To watch his woods fill up with snow. My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year. He gives his harness bells a shake To ask if there is some mistake. The only other sound’s the sweep Of easy wind and downy flake. The woods are lovely, dark and deep. But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.
The woods are lovely, dark and deep. But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. Whose woods these are I think I know. His house is in the village though; He will not see me stopping here To watch his woods fill up with snow. My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year. He gives his harness bells a shake To ask if there is some mistake. The only other sound’s the sweep Of easy wind and downy flake.
Robert Southwell, also Saint Robert Southwell
A VALE OF TEARS - A vale there is, enwrapt with dreadful shades, Which thick of mourning pines shrouds from the sun, Where hanging cliffs yield short and dumpish glades, And snowy flood with broken streams doth run. Where eye-room is from rock to cloudy sky, From thence to dales with stony ruins strew'd, Then to the crushèd water's frothy fry, Which tumbleth from the tops where snow is thaw'd. Where ears of other sound can have no choice, But various blust'ring of the stubborn wind In trees, in caves, in straits with divers noise; Which now doth hiss, now howl, now roar by kind. Where waters wrestle with encount'ring stones, That break their streams, and turn them into foam, The hollow clouds full fraught with thund'ring groans, With hideous thumps discharge their pregnant womb. And in the horror of this fearful quire Consists the music of this doleful place; All pleasant birds from thence their tunes retire, Where none but heavy notes have any grace. Resort there is of none but pilgrim wights, That pass with trembling foot and panting heart; With terror cast in cold and shivering frights, They judge the place to terror framed by art. Yet nature's work it is, of art untouch'd, So strait indeed, so vast unto the eye, With such disorder'd order strangely couch'd, And with such pleasing horror low and high, That who it views must needs remain aghast, Much at the work, more at the Maker's might; And muse how nature such a plot could cast Where nothing seemeth wrong, yet nothing right. A place for mated mindes, an only bower Where everything do soothe a dumpish mood; Earth lies forlorn, the cloudy sky doth lower, The wind here weeps, here sighs, here cries aloud. The struggling flood between the marble groans, Then roaring beats upon the craggy sides; A little off, amidst the pebble stones, With bubbling streams and purling noise it glides. The pines thick set, high grown and ever green, Still clothe the place with sad and mourning veil; Here gaping cliff, there mossy plain is seen, Here hope doth spring, and there again doth quail. Huge massy stones that hang by tickle stays, Still threaten fall, and seem to hang in fear; Some wither'd trees, ashamed of their decays, Bereft of green are forced gray coats to wear. Here crystal springs crept out of secret vein, Straight find some envious hole that hides their grace; Here searèd tufts lament the want of rain, There thunder-wrack gives terror to the place. All pangs and heavy passions here may find A thousand motives suiting to their griefs, To feed the sorrows of their troubled mind, And chase away dame Pleasure's vain reliefs. To plaining thoughts this vale a rest may be, To which from worldly joys they may retire; Where sorrow springs from water, stone and tree; Where everything with mourners doth conspire. Sit here, my soul, main streams of tears afloat, Here all thy sinful foils alone recount; Of solemn tunes make thou the doleful note, That, by thy ditties, dolour may amount. When echo shall repeat thy painful cries, Think that the very stones thy sins bewray, And now accuse thee with their sad replies, As heaven and earth shall in the latter day. Let former faults be fuel of thy fire, For grief in limbeck of thy heart to still Thy pensive thoughts and dumps of thy desire, And vapour tears up to thy eyes at will. Let tears to tunes, and pains to plaints be press'd, And let this be the burden of thy song,— Come, deep remorse, possess my sinful breast; Delights, adieu! I harbour'd you too long.
Art | Earth | Grief | Heart | Heaven | Hope | Little | Motives | Mourning | Music | Nature | Noise | Nothing | Order | Rest | Sorrow | Sound | Tears | Terror | Work | Art | Think |
Where I come from Nobody knows; And where I'm going Everything goes. The wind blows, The sea flows - And nobody knows.
The Master Speed - No speed of wind or water rushing by but you have speed far greater. You can climb back up a stream of radiance to the sky, and back through history up the stream of time. And you were given this swiftness, not for haste nor chiefly that you may go where you will, but in the rush of everything to waste, that you may have the power of standing still-- off any still or moving thing you say. Two such as you with such a master speed From one another once you are agreed that life is only life forevermore together wing to wing and oar to oar.