This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.
Otto Rank, born Otto Rosenfeld
This very essence of a man, his soul, which the artist puts into his work and which is represented by it, is found again in the work by the enjoyer, just as the believer finds his soul in religion or in God, with whom he feels himself to be one. It is on this identity of the spiritual, which underlies the concept of collective religion, and not on a psychological identification with the artist, that the pleasurable effect of the work of art ultimately depends, and the effect is, in this sense, one of deliverance….But both [artist and enjoyer], in the simultaneous dissolution of their individuality in a greater whole, enjoy, as a high pleasure, the personal enrichment of that individuality through this feeling of oneness. They have yielded up their mortal ego for a moment, fearlessly and even joyfully, to receive it back in the next, the richer for this universal feeling.
Art | Ego | Individuality | Mortal | Receive | Religion | Soul | Work | Art |
Otto Rank, born Otto Rosenfeld
The struggle of the artist against the art-ideology, against the creative impulse and even against his own work also shows itself in his attitude towards success and fame; these two phenomena are but an extension, socially, of the process which began subjectively with the vocation and creation of the personal ego to be an artist. In this entire creative process, which begins with self-nomination as artist and ends in the fame of posterity, two fundamental tendencies — one might almost say, two personalities of the individual — are in continual conflict throughout: one wants to eternalize itself in artistic creation, the other in ordinary life — in brief, immortal man vs. the immortal soul of man.
Ego | Ends | Fame | Impulse | Individual | Life | Life | Man | Phenomena | Soul | Struggle | Success | Wants | Work |
To me there is no past or future in art. If a work of art does not live in the present, it must not be considered at all.
The will, which, in its pristine state, was full of vigor, has been steadily corrupted by self-indulgence, the seeking of moods and sensations for sensation’s sake. Hence come all the morbid and sickly moods of the mind. The remedy is a return to the pristine state of the will, by vigorous, positive effort; or, as we are here told, by steady application to a principle. The principle to which we should thus steadily apply ourselves should be one arising from the reality of spiritual life; valorous work for the soul, in others as in ourselves.
Abstract art is only painting. And what’s so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality; there is no longer any danger as the idea of the object has left an indelible imprint. It is the object which aroused the artist, stimulated his ideas and set of his emotions. These ideas and emotions will be imprisoned in his work for good... Whether he wants it or not, man is the instrument of nature; she imposes on him character and appearance. In my paintings of Dinard, as in my paintings of Purville, I have given expression to more or less the same vision... You cannot go against nature. She is stronger than the strongest of men. We can permit ourselves some liberties, but in details only.
Abstract | Art | Character | Danger | Emotions | Ideas | Man | Object | Wants | Will | Work | Danger | Art |
Never permit a dichotomy to rule your life, a dichotomy in which you hate what you do so you can have pleasure in your spare time. Look for a situation in which your work will give you as much happiness as your spare time.
Unless your work gives you trouble, it is no good.
Work |
Paramahansa Yogananda, born Mukunda Lal Ghosh
Disease is generally considered a result of external material causes. Few people realize that it comes through the inaction of the Life Force within. Medicine, massage and electricity merely help to stimulate the cells in such a way that the Life Energy is induced to return and resume its work of maintenance and repair.
P.T. Barnum, fully Phineas Taylor Barnum
Whatever you do, do it with all your might. Work at it, early and late, in season and out of season, not leaving a stone unturned, and never deferring for a single hour that which can be done just as well now.
Work |
Paramahansa Yogananda, born Mukunda Lal Ghosh
Each soul must find his way back alone. No one but you is responsible for your mistakes and habits. Once you have found your Self in your soul, you are free. But so long as you are not free, so long is there danger; you will have to come back and work out all the desires that remain unfinished. Your body is mortal but the soul outlasts the body.
I prefer the spagyric chemical physicians, for they do not consort with loafers or go about gorgeous in satins, silks and velvets, gold rings on their fingers, silver daggers hanging at their sides and white gloves on their hands, but they tend their work at the fire patiently day and night. They do not go promenading, but seek their recreation in the laboratory, wear plain learthern dress and aprons of hide upon which to wipe their hands, thrust their fingers amongst the coals, into dirt and rubbish and not into golden rings. They are sooty and dirty like the smiths and charcoal burners, and hence make little show, make not many words and gossip with their patients, do not highly praise their own remedies, for they well know that the work must praise the master, not the master praise his work. They well know that words and chatter do not help the sick nor cure them... Therefore they let such things alone and busy themselves with working with their fires and learning the steps of alchemy. These are distillation, solution, putrefaction, extraction, calcination, reverberation, sublimination, fixation, separation, reduction, coagulation, tinction, etc.
Day | Dirty | Gold | Learning | Little | Praise | Recreation | Words | Work | Gossip |
Thoughts give birth to a creative force that is neither elemental nor sidereal. Thoughts create a new heaven, a new firmament, a new source of energy, from which new arts flow. When a man undertakes to create something, he establishes a new heaven, as it were and from it the work that he desires to create flows into him. For such is the immensity of man that he is greater than heaven and earth.
Paramahansa Yogananda, born Mukunda Lal Ghosh
Every morning I offer my body, my mind and any ability that I posses, to be used by Thee, O infinite creator, in whatever way Thou dost choose to express Thyself through me. I know that all work is Thy work, and that no task is too difficult or too menial when offered to Thee in loving service.
So she said banteringly: "What's the unit of exchange in this different world of yours?" He did not hesitate. "The tear." "It isn't fair," she objected. "Some people have to work very hard for a tear. Others can have them just for thinking." "What system of exchange is fair?" he cried, and his voice sounded as if he were really drunk. "And whoever invented the concept of fairness, anyway? Isn't everything easier if you simply get rid of the idea of justice altogether? You think the quantity of pleasure, the degree of suffering is constant among all men? It somehow comes out in the end? ou think that? If it comes out even it's only because the final sum is zero."
Justice | People | Suffering | System | Work | World | Think |
Paul Dirac, fully Paul Adrien Maurice Dirac
It is more important to have beauty in one's equations than to have them fit experiment... It seems that if one is working from the point of view of getting beauty in one's equations, and if one has really a sound insight, one is on a sure line of progress. If there is not complete agreement between the results of one's work and experiment, one should not allow oneself to be too discouraged, because the discrepancy may well be due to minor features that are not properly taken into account and that will get cleared up with further developments of the theory.
Paul Dirac, fully Paul Adrien Maurice Dirac
People were pretty well spellbound by what Bohr said… While I was very much impressed by [him], his arguments were mainly of a qualitative nature, and I was not able to really pinpoint the facts behind them. What I wanted was statements which could be expressed in terms of equations, and Bohr's work very seldom provided such statements. I am really not sure how much later my work was influenced by these lectures of Bohr's... He certainly did not have a direct influence because he did not stimulate one to think of new equations.
Paul Dirac, fully Paul Adrien Maurice Dirac
A good deal of my research in physics has consisted in not setting out to solve some particular problem, but simply examining mathematical equations of a kind that physicists use and trying to fit them together in an interesting way, regardless of any application that the work may have. It is simply a search for pretty mathematics. It may turn out later to have an application. Then one has good luck.
Paul Dirac, fully Paul Adrien Maurice Dirac
I do not see how a man can work on the frontiers of physics and write poetry at the same time. They are in opposition. In science you want to say something that nobody knew before, in words which everyone can understand. In poetry you are bound to say ... something that everyone knows already in words that nobody can understand.
Of course science is a work in progress. And of course there are gaps (in our knowledge), particularly in evolutionary biology, because it's over about three and a half billion years. But the fact that there are gaps in our knowledge doesn't mean that we need a miracle to plug them. So that's my take on the intelligent design thing.