This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.
Randy Pausch, fully Randolph Frederick "Randy" Pausch
I have never thought of writing as hard work, but I have worked hard to find a voice.
Ray Bradbury, fully Ray Douglas Bradbury
My stories run up and bite me in the leg -- I respond by writing them down - everything that goes on during the bite. When I finish, the idea lets go and runs off.
Writing |
Raymond Chandler, fully Raymond Thornton Chandler
The mystery story is a kind of writing that need not dwell in the shadow of the past and owes little if any allegiance to the cult of the classics. It is a good deal more than unlikely that any writer now living will produce a better historical novel than Henry Esmond, a better tale of children than The Golden Age, a sharper social vignette than Madame Bovary, a more graceful and elegant evocation than The Spoils of Poynton, a wider and richer canvas than War and Peace or The Brothers Karamazov. But to devise a more plausible mystery than The Hound of the Baskervilles or The Purloined Letter should not be too difficult. Nowadays it would be rather more difficult not to.
Better | Children | Cult | Good | Little | Mystery | Need | Past | Peace | Story | War | Will | Writing |
Raymond Chandler, fully Raymond Thornton Chandler
The moment a man sets his thoughts down on paper, however secretly, he is in a sense writing for publication.
Raymond Chandler, fully Raymond Thornton Chandler
The most durable thing in writing is style, and style is the most valuable investment a writer can make with his time. It pays off slowly, your agent will sneer at it, your publisher will misunderstand it, and it will take people you have never heard of to convince them by slow degrees that the writer who puts his individual mark on the way he writes will always pay off.
Individual | People | Style | Will | Writing |
Raymond Chandler, fully Raymond Thornton Chandler
Most critical writing is drivel and half of it is dishonest. It is a short cut to oblivion, anyway. Thinking in terms of ideas destroys the power to think in terms of emotions and sensations.
Raymond Chandler, fully Raymond Thornton Chandler
There are no 'classics' of crime and detection. Not one. Within its frame of reference, which is the only way it should be judged, a classic is a piece of writing which exhausts the possibilities of its form and can never be surpassed. No story or novel of mystery has done that yet. Few have come close. Which is one of the principal reasons why otherwise reasonable people continue to assault the citadel.
Ray Bradbury, fully Ray Douglas Bradbury
The only good writing is intuitive writing. It would be a big bore if you knew where it was going. It has to be exciting, instantaneous and it has to be a surprise. Then it all comes blurting out and it
Ray Bradbury, fully Ray Douglas Bradbury
You must stay drunk on writing so reality cannot destroy you.
Ray Bradbury, fully Ray Douglas Bradbury
And what, you ask, does writing teach us? First and foremost, it reminds us that we are alive and that it is gift and a privilege, not a right. We must earn life once it has been awarded us. Life asks for rewards back because it has favored us with animation. So while our art cannot, as we wish it could, save us from wars, privation, envy, greed, old age, or death, it can revitalize us amidst it all.
Raymond Chandler, fully Raymond Thornton Chandler
Good critical writing is measured by the perception and evaluation of the subject; bad critical writing by the necessity of maintaining the professional standing of the critic.
Necessity | Perception | Writing |
Raymond Chandler, fully Raymond Thornton Chandler
It is wrong to be harsh with the New York critics, unless one admits in the same breath that it is a condition of their existence that they should write entertainingly about something which is rarely worth writing about at all.
René Dubos, fully René Jules Dubos
The progress of science depends less than is usually believed on the efforts and performance of the individual genius ... many important discoveries have been made by men of ordinary talents, simply because chance had made them, at the proper time and in the proper place and circumstances, recipients of a body of doctrines, facts and techniques that rendered almost inevitable the recognition of an important phenomenon. It is surprising that some historian has not taken malicious pleasure in writing an anthology of 'one discovery' scientists. Many exciting facts have been discovered as a result of loose thinking and unimaginative experimentation, and described in wrappings of empty words. One great discovery does not betoken a great scientist; science now and then selects insignificant standard bearers to display its banners.
Body | Chance | Discovery | Display | Genius | Important | Individual | Inevitable | Men | Pleasure | Progress | Science | Thinking | Time | Writing | Discovery |
Conformism, imitativeness, submission to rules and to teachings is the writer's capital crime. The work of a writer must be not only the reflection, but the larger reflection of his personality. The only excuse that a man has for his writing is to write about himself, to reveal to others the sort of world that is mirrored in his own glass; his only excuse is to be original; he must speak of things not yet spoken of in a form not yet formulated. He must create his own aesthetics
Aesthetics | Man | Reflection | Submission | Work | World | Writing |
Nowadays theologians aren't quite so straightforward as Paley. They don't point to complex living mechanisms and say that they are self-evidently designed by a creator, just like a watch. But there is a tendency to point to them and say 'It is impossible to believe' that such complexity, or such perfection, could have evolved by natural selection. Whenever I read such a remark, I always feel like writing 'Speak for yourself' in the margin.
Writing |
It is simply true that the Sun is hotter than Earth, true that the desk on which I am writing is made of wood. These are not hypotheses awaiting falsification; not temporary approximations to an ever-elusive truth; not local truths that might be denied in another culture. They are just plain true.
Richard Feynman, fully Richard Phillips Feynman
We have a habit in writing articles published in scientific journals to make the work as finished as possible, to cover up all the tracks, to not worry about the blind alleys or describe how you had the wrong idea first, and so on. So there isn't any place to publish, in a dignified manner, what you actually did in order to get to do the work.
If economists often underestimate the contribution of energy to economic growth, it would be just as wrong to disregard the role of specialization. Adam Smith, who was writing when Britain was still burning relatively trivial amounts of coal, believed that economic expansion would come about
Great drama, drama that may reach the alchemical level, must have dimension and its relevance will take care of itself. Writing about AIDS rather than the cocktail set, or possibly the fairy kingdom, will not guarantee importance. . . . The old comment that all periods of time are at an equal distance from eternity says much, and pondering on it will lead to alchemical theatre while relevance becomes old hat.