This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.
DonÂ’t you have any sense of privacy? I blurted out. She got furious at me for this. What are you talking about? These people live with me and love me. Naturally they want to know what is happening with me! So I tell them. They give me reactions, advice, they look at me, I see myself through them as well as through myself.
Our point of view is that if something’s worth doing, it ought to be done in a way that’s enjoyable – otherwise it can’t really be worth doing.
Ernest Hemingway, fully Ernest Miller Hemingway
That every day should be a fiesta seemed to me a marvelous discovery.
Ernest Hemingway, fully Ernest Miller Hemingway
Keep right on lying to me. That's what I want you to do.
Ernest Hemingway, fully Ernest Miller Hemingway
We need more true mystery in our lives Hem- he said. The completely unambitious writer and the really good unpublished poem are the things we lack most. There is of course the problem of sustenance.
Ernest Hemingway, fully Ernest Miller Hemingway
When writing a novel a writer should create living people; people not characters. A character is a caricature. If a writer can make people live there may be no great characters in his book, but it is possible that his book will remain as a whole; as an entity; as a novel. If the people the writer is making talk of old masters; of music; of modern painting; of letters; or of science then they should talk of those subjects in the novel. If they do not talk of these subjects and the writer makes them talk of them he is a faker, and if he talks about them himself to show how much he knows then he is showing off. No matter how good a phrase or a simile he may have if he puts it in where it is not absolutely necessary and irreplaceable he is spoiling his work for egotism. Prose is architecture, not interior decoration, and the Baroque is over. For a writer to put his own intellectual musings, which he might sell for a low price as essays, into the mouths of artificially constructed characters which are more remunerative when issued as people in a novel is good economics, perhaps, but does not make literature. People in a novel, not skillfully constructed characters, must be projected from the writerÂ’s assimilated experience, from his knowledge, from his head, from his heart and from all there is of him. If he ever has luck as well as seriousness and gets them out entire they will have more than one dimension and they will last a long time. A good writer should know as near everything as possible. Naturally he will not. A great enough writer seems to be born with knowledge. But he really is not; he has only been born with the ability to learn in a quicker ratio to the passage of time than other men and without conscious application, and with an intelligence to accept or reject what is already presented as knowledge. There are some things which cannot be learned quickly and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things and because it takes a manÂ’s life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. Every novel which is truly written contributes to the total of knowledge which is there at the disposal of the next writer who comes, but the next writer must pay, always, a certain nominal percentage in experience to be able to understand and assimilate what is available as his birthright and what he must, in turn, take his departure from. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
Change | Day | Good | Knowing | Light | Luck | Story | Luck |
E. F. Schumacher, fully Ernst Friedrich "Fritz" Schumacher
I have talked about the religion of economics, the idol worship of material possessions, of consumption and the so-called standard of living, and the fateful propensity that rejoices in the fact that "what were luxuries to our fathers have become necessities for us."
E. F. Schumacher, fully Ernst Friedrich "Fritz" Schumacher
One of the most fateful errors of our age is the belief that the problem of production has been solved. The illusionÂ…is mainly due to our inability to recognize that the modern industrial system, with all its intellectual sophistication, consumes the very basis on which it has been erected. To use the language of the economist, it lives on irreplaceable capital which it cheerfully treats as income.
Change | Experience | Ideas | Thought | Thought |
Erwin Schrödinger, fully Erwin Rudolf Josef Alexander Schrödinger
Democritus introduces the intellect having an argument with the senses about what is 'real'.
Hypothesis | Indispensable | Individual | Little | Means | Nature | Nothing | Position | Question | Science | Will |
E. F. Schumacher, fully Ernst Friedrich "Fritz" Schumacher
It is true that all men are brothers, but it is also true that in our active personal relationships we can, in fact, be brothers to only a few of them, and we are called upon to show more brotherliness to them than we could possibly show to the whole of mankind.
E. F. Schumacher, fully Ernst Friedrich "Fritz" Schumacher
The truth is that a large part of the costs of private enterprise has been borne by the public authorities—because they pay for the infrastructure—and that the profits of private enterprise therefore greatly overstate its achievement.
Ernst Haeckel, full name Ernst Heinrich Phillip August Haeckel
At the lowest stage, the rude--we may say animal--phase of prehistoric primitive man, is the "ape-man," who, in the course of the tertiary period, has only to a limited degree raised himself above his immediate pithecoid ancestors, the anthropoid apes. Next come successive stages of the lowest and simplest kind of culture, such as only the rudest of still existing primitive peoples enable us in some measure to conceive. These "savages" are succeeded by peoples of a low civilization, and from these again, by a long series of intermediate steps, we rise little by little to the more highly civilized nations. To these alone--of the twelve races of mankind only to the Mediterranean and Mongolian--are we indebted for what is usually called "universal history." This last, extending over somewhat less than six thousand years, represents a period of infinitesimal duration in the long millions of years of the organic world's development.
Arrogance | Earth | Illusion | Man | Mother | Organic | Position | Universe |
E. F. Schumacher, fully Ernst Friedrich "Fritz" Schumacher
We know too much about ecology today to have any excuse for the many abuses that are currently going on in the management of the land, in the management of animals, in food storage, food processing, and in heedless urbanization. If we permit them, this is not due to poverty, as if we could not afford to stop them; it is due to the fact that, as a society, we have no firm basis of belief in any meta-economic values, and when there is no such belief the economic calculus takes over.
Ernst Haeckel, full name Ernst Heinrich Phillip August Haeckel
In many of these languages there are numerals only for one, two, and three: no Australian language counts beyond four. Very many wild tribes can count no further than ten or twenty, whereas some very clever dogs have been made to count up to forty and even beyond sixty.
Existence | Faith | Force | History | Knowledge | Necessity | Nothing | Position | Science | Work |
E. F. Schumacher, fully Ernst Friedrich "Fritz" Schumacher
What is to take the place of the soul and life-destroying metaphysics inherited from the nineteenth century? The task of our generation, I have no doubt, is one of metaphysical reconstruction… Our task – and the task of all education – is to understand the present world, the world in which we live and make our choices.
Wrinkles should only indicate where smiles have been.
Yet regardless of where they come from, I cannot remember a time when I was not in love with them - with the books themselves, cover and binding and the paper they were printed on, with their smell and their weight and with their possession in my arms, captured and carried off to myself. ...I was ready for them, committed to all the reading I could give them...
Reading |
Memory, as we have seen, consists only in the power of reviving the signs of our ideas, or the circumstances that attended them; a power which never takes place, except when by the analogy of the signs we have chosen, and by the order we have settled between our ideas, the objects which we want to revive are connected with some of our present wants.