This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.
I believe so. In its beginning, dialogue’s the easiest thing in the world to write when you have a good ear, which I think I have. But as it goes on, it’s the most difficult, because it has so many ways to function. Sometimes I needed to make a speech do three or four or five things at once—reveal what the character said but also what he thought he said, what he hid, what others were going to think he meant, and what they misunderstood, and so forth—all in his single speech. And the speech would have to keep the essence of this one character, his whole particular outlook in concentrated form. This isn’t to say I succeeded. But I guess it explains why dialogue gives me my greatest pleasure in writing.
Eugene O'Neill, fully Eugene Gladstone O'Neill
I haven't touched a piano in so many years. I couldn't play with such crippled fingers, even if I wanted to. For a time after my marriage I tried to keep up my music. But it was hopeless. One-night stands, cheap hotels, dirty trains, leaving children, never having a home — [She stares at her hands with fascinated disgust.] See, Cathleen, how ugly they are! So maimed and crippled! You would think they'd been through some horrible accident! [She gives a strange little laugh.] So they have, come to think of it. [She suddenly thrusts her hands behind her back.] I won't look at them. They're worse than the foghorn for reminding me — [Then with defiant self-assurance.] But even they can't touch me now. [She brings her hands from behind her back and deliberately stares at them — calmly.] They're far away. I see them, but the pain has gone.
Art is never the voice of a country, it is an even more precious thing, the voice of the individual, doing its best to speak, not comfort of any sort, but truth. And the art that speaks it most unmistakably, most directly, most variously, most fully, is fiction.
Pastors are abandoning their posts, left and right, and at an alarming rate. They are not leaving their churches and getting other jobs. Congregations still pay their salaries. Their names still appear on the church stationary and they continue to appear in pulpits on Sundays. But they are abandoning their posts, their calling. They have gone whoring after other Gods. What they do with their time under the guise of pastoral ministry hasnÂ’t the remotest connection with what the churchÂ’s pastors have done for most of twenty centuries.
Don't think of what you have to do, don't consider how to carry it out! he exclaimed. The shot will only go smoothly when it takes the archer himself by surprise.
Aptitude | Awareness | Cult | Danger | Ego | Existence | Life | Life | Present | Reason | Right | Spirit | Success | Time | Witness | Worth | Talent | Danger | Awareness | Teacher |
Eugene O'Neill, fully Eugene Gladstone O'Neill
For a moment I lost myself, actually lost my life. I was set free! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life . . . to life itself. I caught a glimpse of something greater than myself.
Beauty | Dawn | Freedom | Fulfillment | Good | Joy | Life | Life | Lying | Past | Peace | Sound | Unity | Vision | Beauty | Old |
Étienne Gilson, fully Étienne Henry Gilson
He (a new philosopher) still needs to be taught, not this time philosophy, but to philosophize.
Eugene O'Neill, fully Eugene Gladstone O'Neill
Now look here, Smithers. They's two kind's of stealing. They's the small kind, like what you does, and the big kind, like I does. Fo' de small stealing dey put you in jail soon or late. But fo' de big stealin' dey puts your picture in de paper and yo' statue in de Hall of Fame when you croak. If dey's one thing I learned in ten years on de Pullman cars, listenin' to de white quality talk, it's dat same fact. And when I gits a chance to use it . . . from stowaway to emperor in two years. Dat's goin' some!
Eugene O'Neill, fully Eugene Gladstone O'Neill
Why am I afraid to live, I who love life and the beauty of flesh and the living colors of earth and sky and sea? Why am I afraid of love, I who love love? Why must I hide myself in self-contempt in order to understand? Why was I born without a skin, O God, that I must wear armor in order to touch or to be touched?
Beauty | Earth | Grace | Life | Life | Love | Music | Beauty | Afraid |
A whole tree of lightning stood in the sky. She kept looking out the window, suffused with the warmth from the fire and with the pity and beauty and power of her death. The thunder rolled.