This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.
And so the arrival at new possibility, at new reality, by the deÂstruction of the self through facing up to the anxiety of the terror of existence. The self must be destroyed, brought down to nothing, in order for self-transcendence to begin. Then the self can begin to relate itself to powers beyond itself. It has to thrash around in its finitude, it has to "die," in order to question that finitude, in order to see beyond it. To what? Kierkegaard answers: to infinitude, to absolute transcendence, to the Ultimate Power of Creation which made finite creatures. Our modern understanding of psycho-dynamics confirms that this progression is very logical: if you admit that you are a creature, you accomplish one basic thing: you demolish all your unconscious power linkages or supports. As we saw in the last chapter—and it is worth repeating here—each child grounds himself in some power that transcends him. Usually it is a combination of his parents, his social group, and the symbols of his society and nation. This is the unthinking web of support which allows him to believe in himself, as he functions on the automatic security of delegated powers. He doesn't of course admit to himself that he lives on borrowed powers, as that would lead him to quesÂtion his own secure action, the very confidence that he needs. He has denied his creatureliness precisely by imagining that he has secure power, and this secure power has been tapped by unconsciously leaning on the persons and things of his society. Once you expose the basic weakness and emptiness of the person, his helpÂlessness, then you are forced to re-examine the whole problem of power linkages. You have to think about reforging them to a real source of creative and generative power. It is at this point that one can begin to posit creatureliness vis-a-vis a Creator who is the First Cause of all created things, not merely the second-hand, interÂmediate creators of society, the parents and the panoply of cultural heroes. These are the social and cultural progenitors who themÂselves have been caused, who themselves are embedded in a web of someone else's powers.
Children | Justify | Object | Rivalry | World | Worth | Value |
I think that taking life seriously means something such as this: that whatever man does on this planet has to be done in the lived truth of the terror of creation, of the grotesque, of the rumble of panic underneath everything. Otherwise it is false. Whatever is achieved must be achieved with the full exercise of passion, of vision, of pain, of fear, and of sorrow. How do we know ... that our part of the meaning of the universe might not be a rhythm in sorrow?
Competence | Good | Reputation | Science | Thought | Thought |
Ernest Hemingway, fully Ernest Miller Hemingway
He thought of the Riviera, as it was then before it had all been built up, with the lovely stretches of blue sea and the sand beaches and the stretches of pine woods and the mountains of the Esterel going out into the sea. He remembered it as it was when he and Zelda had first found it before people went there for the summer.
The idea of death, the fear of it, haunts the human animal like nothing else; it is a mainspring of human activity - designed largely to avoid the fatality of death, to overcome it by denying in some way that it is the final destiny of man.
Ernest Hemingway, fully Ernest Miller Hemingway
I love sleep. My life has the tendency to fall apart when I'm awake, you know?
Better | Thought | Wonder | Thought | Understand |
Ernest Hemingway, fully Ernest Miller Hemingway
A man's got to take a lot of punishment to write a really funny book.
Discipline | Honesty | Man | Necessity | Thought | Thought |
And so, the question for the science of mental health must beÂcome an absolutely new and revolutionary one, yet one that reÂflects the essence of the human condition: On what level of illusion does one live? We will see the import of this at the close of this chapter, but right now we must remind ourselves that when we talk about the need for illusion we are not being cynical. True, there is a great deal of falseness and self-deception in the cultural causa-sui project, but there is also the necessity of this project. Man needs a "second" world, a world of humanly created meaning, a new reality that he can live, dramatize, nourish himself in. "Illusion" means creative play at its highest level. Cultural illusion is a necessary ideology of self-justification, a heroic dimension that is life itself to the symbolic animal. To lose the security of heroic cultural illusion is to die—that is what "deculturation" of primitives means and what it does. It kills them or reduces them to the animal level of chronic fighting and fornication. Life becomes possible only in a continual alcoholic stupor. Many of the older American Indians were relieved when the Big Chiefs in Ottawa and Washington took control and prevented them from warring and feuding. It was a relief from the constant anxiety of death for their loved ones, if not for themselves. But they also knew, with a heavy heart, that this eclipse of their traditional hero-systems at the same time left them as good as dead.
Absolute | Anxiety | Anxiety | Cause | Confidence | Order | Parents | Power | Question | Security | Self | Society | Terror | Understanding | Weakness | Worth | Society | Child | Think |
Ernest Hemingway, fully Ernest Miller Hemingway
He told me how he had first met her during the war and then lost her and won her back, and about their marriage and then about something tragic that had happened to them at St-Raphael about a year ago. This first version that he told me of Zelda and a French naval aviator falling in love was truly a sad story and I believe it was a true story. Later he told me other versions of it as though trying them for use in a novel, but none was as sad as this first one and I always believed the first one, although any of them might have been true. They were better told each time; but they never hurt you the same way the first one did.
For all organisms, then, opposing and obliterating power is evil – it threatens to stop experience. But men are truly sorry creatures because they have made death conscious. They can see evil in anything that wounds them, causes ill health, or even deprives them of pleasure. Consciousness means too that they have to be preoccupied with evil even in the absence of any immediate danger; their lives become a meditation on evil and a planned venture for controlling it and forestalling it.
Body | Contradiction | Man | People | Worth |
In other words, it is not so much a question as to whether we are able to cure a patient, whether we can or not, but whether we should or not.
Ability | Character | Comfort | Consciousness | Defense | Fear | God | Ideas | Joy | Madness | Man | Meaning | Means | Men | People | Promise | Purpose | Purpose | Thought | Wants | God | Thought |
Ernest Hemingway, fully Ernest Miller Hemingway
Ernest Hemingway said: The world breaks everyone, and afterward, some are strong at the broken places.
Ernest Hemingway, fully Ernest Miller Hemingway
For what are we born if not to aid one another?
Ernest Hemingway, fully Ernest Miller Hemingway
I thought the pain alone would kill me.
Ernest Hemingway, fully Ernest Miller Hemingway
There is no friend as loyal as a book.
Ernest Hemingway, fully Ernest Miller Hemingway
I loved to take her hair down and she sat on the bed and kept very still, except suddenly she would dip down to kiss me while I was doing it, and I would take out the pins and lay them on the sheet and it would be loose and I would watch her while she kept very still and then take out the last two pins and it would all come down and she would drop her head and we would both be inside of it, and it was the feeling of inside a tent or behind a falls.
Ernest Hemingway, fully Ernest Miller Hemingway
This too to remember. If a man writes clearly enough any one can see if he fakes. If he mystifies to avoid a straight statement, which is very different from breaking so-called rules of syntax or grammar to make an effect which can be obtained in no other way, the writer takes a longer time to be known as a fake and other writers who are afflicted by the same necessity will praise him in their own defense. True mysticism should not be confused with incompetence in writing which seeks to mystify where there is no mystery but is really only the necessity to fake to cover lack of knowledge or the inability to state clearly. Mysticism implies a mystery and there are many mysteries; but incompetence is not one of them; nor is overwritten journalism made literature by the injection of a false epic qulaity. Remember this too: all bad writers are in love with the epic.