This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.
J. R. R. Tolkien, fully John Ronald Reuel Tolkien
But the helm of her secrecy had fallen from her, and her bright hair, released from its bonds, gleamed with pale gold upon her shoulders. Her eyes grey as the sea were hard and fell, and yet tears were on her cheek. A sword was in her hand, and she raised her shield against the horror of her enemy's eyes? Still she did not blench: maiden of the Rohirrim, child of kings, slender but as a steel-blade, fair yet terrible. A swift stroke she dealt, skilled and deadly. The outstretched neck she clove asunder, and the hewn head fell like a stone. Backward she sprang as the huge shape crashed to ruin, vast wings outspread, crumpled on the earth; and with its fall the shadow passed away. A light fell about her, and her hair shone in the sunrise.
Ability | Better | People | Position | Space | World | Think | Understand |
J. R. R. Tolkien, fully John Ronald Reuel Tolkien
For my present purpose I require a word which shall embrace both the Sub-Creative Art in itself, and a quality of strangeness and wonder in the Expression, derived from the Image: a quality essential to fairy-story. I propose, therefore, to arrogate to myself the powers of Humpty-Dumpty, and to use Fantasy for this purpose: in a sense, that is, which combines with its older and higher use as an equivalent of Imagination the derived notions of 'unreality' (that is, of unlikeness to the Primary World), of freedom from the dominion of 'observed fact,' in short of the fantastic. I am thus not only aware but glad of the etymological and semantic connexions of fantasy with fantastic: with images of things that are not only 'not actually present,' but which are indeed not to be found in our primary world at all, or are generally believed not to be found there. But while admitting that, I do not assent to the depreciative tone. That the images are of things not in the primary world (if that indeed is possible) is, I think, not a lower but a higher form of Art, indeed the most nearly pure form, and so (when achieved) the most Potent. Fantasy, of course, starts out with an advantage: arresting strangeness. But that advantage has been turned against it, and has contributed to its disrepute. Many people dislike being 'arrested.' They dislike any meddling with the Primary World, or such small glimpses of it as are familiar to them. They, therefore, stupidly and even maliciously confound Fantasy with Dreaming, in which there is no Art; and with mental disorders, in which there is not even control; with delusion and hallucination. But the error or malice, engendered by disquiet and consequent dislike, is not the only cause of this confusion. Fantasy has also an essential drawback: it is difficult to achieve. . . . Anyone inheriting the fantastic device of human language can say the green sun. Many can then imagine or picture it. But that is not enough -- though it may already be a more potent thing than many a 'thumbnail sketch' or 'transcript of life' that receives literary praise. To make a Secondary World inside which the green sun will be credible, commanding Secondary Belief, will probably require labor and thought, and will certainly demand a special skill, a kind of elvish craft. Few attempt such difficult tasks. But when they are attempted and in any degree accomplished then we have a rare achievement of Art: indeed narrative art, story-making in its primary and most potent mode.
System |
J. R. R. Tolkien, fully John Ronald Reuel Tolkien
Fantasy is escapist, and that is its glory. If a soldier is imprisioned by the enemy, don't we consider it his duty to escape?. . .If we value the freedom of mind and soul, if we're partisans of liberty, then it's our plain duty to escape, and to take as many people with us as we can!
J. R. R. Tolkien, fully John Ronald Reuel Tolkien
He led the way in under the huge branches of the trees. Old beyond guessing, they seemed. Great trailing beards of lichen hung from them, blowing and swaying in the breeze. Out of the shadows, the hobbits peeped, gazing back down the slope: little furtive figures that in the dim light looked like elf-children in the deeps of time peering out of the Wild Wood in wonder at their first Dawn.
J. R. R. Tolkien, fully John Ronald Reuel Tolkien
I will not give you counsel, saying do this, or do that. For not in doing or contriving, nor in choosing between this course and another, can I avail; but only in knowing what was and is, and in part also what shall be.
Anger | Behavior | Courage | Experience | Listening | Model |
J. R. R. Tolkien, fully John Ronald Reuel Tolkien
Having the romantic upbringing, I made a boy-and-girl affair serious, and made it the source of effort. - On his romance with Edith
J. R. R. Tolkien, fully John Ronald Reuel Tolkien
Do not scorn pity that is the gift of a gentle heart, owyn!
System |
J. R. R. Tolkien, fully John Ronald Reuel Tolkien
He did not go much further, but sat down on the cold floor and gave himself up to complete miserableness, for a long while. He thought of himself frying bacon and eggs in his own kitchen at home - for he could feel inside that it was high time for some meal or other; but that only made him miserabler.
Technology | Value |
J. R. R. Tolkien, fully John Ronald Reuel Tolkien
Farewell, they cried, Wherever you fare till your eyries receive you at the journey's end! That is the polite thing to say among eagles. May the wind under your wings bear you where the sun sails and the moon walks, answered Gandalf, who knew the correct reply.
J. R. R. Tolkien, fully John Ronald Reuel Tolkien
Evidently we look so much alike that your desire to make an incurable dent in my hat must be excused.
J. R. R. Tolkien, fully John Ronald Reuel Tolkien
Fool of a Took! he growled. This is a serious journey, not a hobbit walking-party. Throw yourself in next time, and then you will be no further nuisance.
Behavior |
J. R. R. Tolkien, fully John Ronald Reuel Tolkien
Do I not say truly, Gandalf,' said Aragorn at last, 'that you could go whithersoever you wished quicker than I? And this I also say: you are our captain and our banner. The Dark Lord has Nine. But we have One, mightier than they: the White Rider. He has passed through the fire and the abyss, and they shall fear him. We will go where he leads.
J. R. R. Tolkien, fully John Ronald Reuel Tolkien
Fairy tale does not deny the existence of sorrow and failure: the possibility of these is necessary to the joy of deliverance. It denies in the face of much evidence, if you will universal final defeat... giving a fleeting glimpse of Joy; Joy beyond the walls of the world, poignant as grief.
J. R. R. Tolkien, fully John Ronald Reuel Tolkien
For a while they stood there, like men on the edge of a sleep where nightmare lurks, holding it off, though they know that they can only come to morning through the shadows.
Inevitable | System |
J. R. R. Tolkien, fully John Ronald Reuel Tolkien
Here was one with an air of high nobility such as Aragorn at times revealed, less high perhaps, yet also less incalculable and remote: one of the Kings of Men born into a later time, but touched with the wisdom and sadness of the Eldar Race. He knew now why Beregond spoke his name with love. He was a captain that men would follow, that he would follow, even under the shadow of the black wings.
Organization | System |