This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.
Ernest Hemingway, fully Ernest Miller Hemingway
You had to have these peasant leaders quickly in this sort of war and a real peasant leader might be a little too much like Pablo. You couldn't wait for the real Peasant Leader to arrive and he might have too many peasant characteristics when he did. So you had to manifacture one. At that, from what he had seen of Campesino, with his black beard, his thick negroid lips, and his feverish, staring eyes, he thought he might give almost as much trouble as a real peasant leader. The last time he had seen him he seemed to have gotten to believe his own publicity and think he was a peasant.
Absolute | Brotherhood | Consecration | Death | Duty | Experience | Light | Necessity | World |
Ernest Hemingway, fully Ernest Miller Hemingway
With so many trees in the city, you could see the spring coming each day until a night of warm wind would bring it suddenly in one morning. Sometimes the heavy cold rains would beat it back so that it would seem that it would never come and that you were losing a season out of your life. This was the only truly sad time in Paris because it was unnatural. You expected to be sad in the fall. Part of you died each year when the leaves fell from the trees and their branches were bare against the wind and the cold, wintry light. But you knew there would always be the spring, as you knew the river would flow again after it was frozen. When the cold rains kept on and killed the spring, it was as though a young person had died for no reason. In those days, though, the spring always came finally but it was frightening that it had nearly failed.
Ernest Hemingway, fully Ernest Miller Hemingway
In Europe then we thought of wine as something as healthy and normal as food and also as a great giver of happiness and well-being and delight. Drinking wine was not a snobbism nor a sign of sophistication nor a cult; it was as natural as eating and to me as necessary.
Ernest Hemingway, fully Ernest Miller Hemingway
The individual, the great artist when he comes, uses everything that has been discovered or known about his art up to that point, being able to accept or reject in a time so short it seems that the knowledge was born with him, rather than that he takes instantly what it takes the ordinary man a lifetime to know, and then the great artist goes beyond what has been done or known and makes something of his own.
Ernest Hemingway, fully Ernest Miller Hemingway
That seemed to handle it. That was it. Send a girl off with one man. Introduce her to another to go off with him. Now go and bring her back. And sign the wire with love. That was it all right. I went in to lunch.
Better | Courage | Good | Kill | Light | Loneliness | Love | Man | People | Time | Will | Wishes | World | Afraid |
Ernest Hemingway, fully Ernest Miller Hemingway
Keep right on lying to me. That's what I want you to do.
Ernest Hemingway, fully Ernest Miller Hemingway
When I had finished the book I knew that no matter what Scott did, nor how he behaved, I must know it was like a sickness and be of any help I could to him and try to be a good friend. He had many good, good friends, more than anyone I knew. But I enlisted as one more, whether I could be of any use to him or not. If he could write a book as fine as The Great Gatsby I was sure that he could write an even better one. I did not know Zelda yet, and so I did not know the terrible odds that were against him. But we were to find them out soon enough.
Day | Light | Love | Means | Nothing | Story | Time | Will | Work |
Ernest Hemingway, fully Ernest Miller Hemingway
When writing a novel a writer should create living people; people not characters. A character is a caricature. If a writer can make people live there may be no great characters in his book, but it is possible that his book will remain as a whole; as an entity; as a novel. If the people the writer is making talk of old masters; of music; of modern painting; of letters; or of science then they should talk of those subjects in the novel. If they do not talk of these subjects and the writer makes them talk of them he is a faker, and if he talks about them himself to show how much he knows then he is showing off. No matter how good a phrase or a simile he may have if he puts it in where it is not absolutely necessary and irreplaceable he is spoiling his work for egotism. Prose is architecture, not interior decoration, and the Baroque is over. For a writer to put his own intellectual musings, which he might sell for a low price as essays, into the mouths of artificially constructed characters which are more remunerative when issued as people in a novel is good economics, perhaps, but does not make literature. People in a novel, not skillfully constructed characters, must be projected from the writerÂ’s assimilated experience, from his knowledge, from his head, from his heart and from all there is of him. If he ever has luck as well as seriousness and gets them out entire they will have more than one dimension and they will last a long time. A good writer should know as near everything as possible. Naturally he will not. A great enough writer seems to be born with knowledge. But he really is not; he has only been born with the ability to learn in a quicker ratio to the passage of time than other men and without conscious application, and with an intelligence to accept or reject what is already presented as knowledge. There are some things which cannot be learned quickly and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things and because it takes a manÂ’s life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. Every novel which is truly written contributes to the total of knowledge which is there at the disposal of the next writer who comes, but the next writer must pay, always, a certain nominal percentage in experience to be able to understand and assimilate what is available as his birthright and what he must, in turn, take his departure from. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
Change | Day | Good | Knowing | Light | Luck | Story | Luck |
Ernest Hemingway, fully Ernest Miller Hemingway
If the wind rises it can push us against the flood when it comes.
Ernest Hemingway, fully Ernest Miller Hemingway
This is a good place, he said. There's a lot of liquor, I agreed.
And the spirit of revolution will not die while the hearts of these workers continue to beat.
Erwin Schrödinger, fully Erwin Rudolf Josef Alexander Schrödinger
God knows I am no friend of probability theory, I have hated it from the first moment when our dear friend Max Born gave it birth. For it could be seen how easy and simple it made everything, in principle, everything ironed and the true problems concealed. Everybody must jump on the bandwagon [Ausweg]. And actually not a year passed before it became an official credo, and it still is
Awe | Heart | Joy | Light | Man | Men | Pain | Self | Time | Woman |
Che Guevara, fully Ernesto “Che” Guevara
The task of educating and feeding youngsters, the task of educating the army, the task of distributing the lands of the former absentee landlords to those who laboured every day upon that same land without receiving its benefits, are accomplishments of social medicine.
Darkness | Individuality | Light | Little | Silence | Space |
Ernst Haeckel, full name Ernst Heinrich Phillip August Haeckel
This demand, that the doctrine of descent should be grounded on experiment, is so perverse and shows such ignorance of the very essence of our theory, that though we have never been surprised at hearing it continually repeated by ignorant laymen, from the lips of a Virchow it has positively astounded us. What can in this case be proved by experiment, and what can experiment prove?
Ernst Haeckel, full name Ernst Heinrich Phillip August Haeckel
Yet it is an astonishing fact that the science of the evolution of man does not even yet form part of the scheme of general education. In fact, educated people even in our day are for the most part quite ignorant of the important truths and remarkable phenomena which anthropogeny teaches us.
Light | Man | Understand |
You don't have to work at being in the high vibration that is natural to you, because it is natural to you. But you do have to stop holding the thoughts that cause you to lower your vibration. It's a matter of no longer giving your attention to things that don't allow your cork to float or don't allow you to vibrate in harmony with who you really are.
Étienne Gilson, fully Étienne Henry Gilson
Thus the same statement that guarantees that God exists and that his most suitable name is He Who Is, also reveals to us the perfect simplicity of the divine essence. And indeed, God did not say: I am this or that, but simply I Am. I am what? I am ‘I Am.’ So, more than ever, the statement of Exodus seems to soar above in a kind of empty space, where the attraction of the weight of philosophy can no longer be felt. The work of reason is good, healthy, and important, for it proves that, left to itself, philosophy can establish with certitude the existence of the primary being whom everyone calls God. But a single word of the sacred text at once puts us in personal relations with him. We say his name, and by the simple fact of saying it, it teaches us the simplicity of the divine essence.