Great Throughts Treasury

This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.

Related Quotes

Ernest Hemingway, fully Ernest Miller Hemingway

You know lots of criticism is written by characters who are very academic and think it is a sign you are worthless if you make jokes or kid or even clown. I wouldn't kid Our Lord if he was on the cross. But I would attempt a joke with him if I ran into him chasing the money changers out of the temple.

Good |

Ernest Hemingway, fully Ernest Miller Hemingway

You must be prepared to work always without applause.

Ernest Hemingway, fully Ernest Miller Hemingway

Later he had seen the things that he could never think of and later still he had seen much worse.

Ernest Hemingway, fully Ernest Miller Hemingway

I've seen you, beauty, and you belong to me now, whoever you are waiting for and if I never see you again, I thought. You belong to me and all Paris belongs to me and I belong to this notebook and this pencil.

Destroy | Enough | Good | Government | Life | Life | Order | Patriotism | Wishes | Government |

Ernest Hemingway, fully Ernest Miller Hemingway

Look very small those obstacles which seemed a very big day.

Man | Ugly |

Ernest Hemingway, fully Ernest Miller Hemingway

The great artist when he comes, uses everything that has been discovered or known about his art up to that point, being able to accept or reject in a time so short it seems that the knowledge was born with him, rather than that he takes instantly what it takes the ordinary man a lifetime to know, and then the great artist goes beyond what has been done or known and makes something of his own.

Enough | Good | Life | Life |

Ernest Hemingway, fully Ernest Miller Hemingway

I would take anything I love and throw it off the highest cliff you ever saw and not wait to hear it bounce.

Will |

Ernest Hemingway, fully Ernest Miller Hemingway

When you have two people who love each other, are happy and gay and really good work is being done by one or both of them, people are drawn to them as surely as migrating birds are drawn at night to a powerful beacon. If the two people were as solidly constructed as the beacon there would be little damage except to the birds. Those who attract people by their happiness and their performance are usually inexperienced. They do not know how not to be overrun and how to go away. They do not always learn about the good, the attractive, the charming, the soon-beloved, the generous, the understanding rich who have no bad qualities and who give each day the quality of a festival and who, when they have passed and taken the nourishment they needed, leave everything deader than the roots of any grass Attila's horses' hooves have ever scoured.

Good |

Ernest Hemingway, fully Ernest Miller Hemingway

I’m always reading books—as many as there are. I ration myself on them so that I’ll always be in supply.

World |

Ernest Hemingway, fully Ernest Miller Hemingway

No one should be alone in their old age, he thought.

Death | Man |

Ernest Hemingway, fully Ernest Miller Hemingway

Remember everything is right until it's wrong. You'll know when it's wrong.

Ambition | Belief | Economics | Little | Mind | Music | Patriotism | People | Sense | Thought | Ambition | Old | Thought |

Ernest Hemingway, fully Ernest Miller Hemingway

Then I started to think in Lipp’s about when I had first been able to write a story about losing everything. It was up in Cortina d’Ampezzo when I had come back to join Hadley there after the spring skiing which I had to interrupt to go on assignment to Rhineland and the Ruhr. It was a very simple story called ‘Out of Season’ and I had omitted the real end of it which was that the old man hanged himself. This was omitted on my new theory that you could omit anything if you knew that you omitted and the omitted part would strengthen the story and make people feel something more than they understood.

Behavior | People | Will |

Ernest Hemingway, fully Ernest Miller Hemingway

When we came back to Paris it was clear and cold and lovely. The city had accommodated itself to winter, there was good wood for sale at the wood and coal place across our street, and there were braziers outside of many of the good cafes so that you could keep warm on the terraces. Our own apartment was warm and cheerful. We burned boulets which were molded, egg-shaped lumps of coal dust, on the wood fire, and on the streets the winter light was beautiful. Now you were accustomed to see the bare trees against the sky and you walked on the fresh- washed gravel paths through the Luxembourg Gardens in the clear sharp wind. The trees were sculpture without their leaves when you were reconciled to them, and the winter winds blew across the surfaces of the ponds and the fountains blew in the bright light. All the distances were short now since we had been in the mountains. Because of the change in altitude I did not notice the grade of the hills except with pleasure, and the climb up to the top floor of the hotel where I worked, in a room that looked across all the roofs and the chimneys of the high hill of the quarter, was a pleasure. The fireplace drew well in the room and it was warm and pleasant to work. I brought mandarins and roasted chestnuts to the room in paper packets and peeled and ate the small tangerine-like oranges and threw their skins and spat their seeds in the fire when I ate them and the roasted chestnuts when I was hungry. I was always hungry with the walking and the cold and the working. Up in the room I had a bottle of kirsch that we had brought back from the mountains and I took a drink of kirsch when I would get towards the end of a story or towards the end of the day's work. When I was through working for the day I put away the notebook, or the paper, in the drawer of the table and put any mandarines that were left in my pocket. They would freeze if they were left in the room at night. It was wonderful to walk down the long flights of stairs knowing that I 'd had good luck working. I always worked until I had something done and I always stopped when I knew what was going to happen next. That way I could be sure of going on the next day.

Happy | Love | Men | People | Work |

Ernest Hemingway, fully Ernest Miller Hemingway

I loved to take her hair down and she sat on the bed and kept very still, except suddenly she would dip down to kiss me while I was doing it, and I would take out the pins and lay them on the sheet and it would be loose and I would watch her while she kept very still and then take out the last two pins and it would all come down and she would drop her head and we would both be inside of it, and it was the feeling of inside a tent or behind a falls.

Magic | Thought | Time | Thought |

Ernest Hemingway, fully Ernest Miller Hemingway

That seemed to handle it. That was it. Send a girl off with one man. Introduce her to another to go off with him. Now go and bring her back. And sign the wire with love. That was it all right. I went in to lunch.

Better | Courage | Good | Kill | Light | Loneliness | Love | Man | People | Time | Will | Wishes | World | Afraid |

Ernest Hemingway, fully Ernest Miller Hemingway

This too to remember. If a man writes clearly enough any one can see if he fakes. If he mystifies to avoid a straight statement, which is very different from breaking so-called rules of syntax or grammar to make an effect which can be obtained in no other way, the writer takes a longer time to be known as a fake and other writers who are afflicted by the same necessity will praise him in their own defense. True mysticism should not be confused with incompetence in writing which seeks to mystify where there is no mystery but is really only the necessity to fake to cover lack of knowledge or the inability to state clearly. Mysticism implies a mystery and there are many mysteries; but incompetence is not one of them; nor is overwritten journalism made literature by the injection of a false epic qulaity. Remember this too: all bad writers are in love with the epic.

Beginning | Thought | World | Thought |

Ernest Hemingway, fully Ernest Miller Hemingway

You did not have to like it because you understood it. He could beat anything, he thought, because nothing could hurt him if he did not care.

Ernest Hemingway, fully Ernest Miller Hemingway

I wonder what your idea of heaven would be — A beautiful vacuum filled with wealthy monogamists. All powerful and members of the best families all drinking themselves to death. And hell would probably an ugly vacuum full of poor polygamists unable to obtain booze or with chronic stomach disorders that they called secret sorrows.

Choice | Man | People | Strength | Old |